11.5 paśya me pārtha rūpāṇi (Original)

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

śrī-bhagavān uvāca
paśya me pārtha rūpāṇi
śataśo ’tha sahasraśaḥ
nānā-vidhāni divyāni
nānā-varṇākṛtīni ca

‘Behold My forms Divine, Pārtha! by the hundred, and by the thousand, in every variety, in every color, and in every contour.’

Gaze on My all-embracing (all-sustaining) Form, in hundred and in thousand phases. Divyāni=Divine=Immaterial transcendental colors: white, dark etc.

>> Chapter 11 verse 6

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Pronunciation Guide

A is used for “aa” sound – example: emperumAnAr, rAmAnuja

E is used for “yay” sound – example: EkAdhasi

I is used for “ee” sound – example: Iswara

O is used for “Oh” sound – example: Om

U is used for “oo” sound – example: Urdhva pundram

zh is used for very strong “l” sound – example: AzhwAr

L is used for strong “l” sound – example: muL (thorn)

N is used for strong “n” sound – example: nArAyaNa

R is used for strong "r" sound - example: puRappAdu (procession); its also used for "tr" sound in thamizh when there is double "R" - example: uRRAr (utRAr - relative)

d is used strong “d” sound – example: garuda

dh is used for meek “d” sound – example: gOvindha

t is used for strong “t” sound – example: ganta

th is used for meek “t” sound – example: vratham

sa, sha, ksha are typed as it is – examples: samskritham, shashti and kshamA

: is used for ha sound in samskritham words – examples: nama: to be said as namaha

Terminologies listing at Reader's Guide