18.14 adhiṣṭhānaṁ tathā kartā (Original)

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

adhiṣṭhānaṁ tathā kartā
karaṇaṁ ca pṛthag-vidham
vividhāś ca pṛthak ceṣṭā
daivaṁ caivātra pañcamam

‘The Seat and the Actor, and the various Instruments, and their several Functions of various sorts and then Divinity as well, the fifth.’

>> Chapter 18 Verse 15

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Pronunciation Guide

A is used for “aa” sound – example: emperumAnAr, rAmAnuja

E is used for “yay” sound – example: EkAdhasi

I is used for “ee” sound – example: Iswara

O is used for “Oh” sound – example: Om

U is used for “oo” sound – example: Urdhva pundram

zh is used for very strong “l” sound – example: AzhwAr

L is used for strong “l” sound – example: muL (thorn)

N is used for strong “n” sound – example: nArAyaNa

R is used for strong "r" sound - example: puRappAdu (procession); its also used for "tr" sound in thamizh when there is double "R" - example: uRRAr (utRAr - relative)

d is used strong “d” sound – example: garuda

dh is used for meek “d” sound – example: gOvindha

t is used for strong “t” sound – example: ganta

th is used for meek “t” sound – example: vratham

sa, sha, ksha are typed as it is – examples: samskritham, shashti and kshamA

: is used for ha sound in samskritham words – examples: nama: to be said as namaha

Terminologies listing at Reader's Guide